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Компьютерный форум Ru.Board » Общие » Музыка и Кино » Музыка в lossless форматах (часть 5)

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PrincesskaMarishka



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Данная тема предназначена для публикации записей различных жанров и направлений в lossless форматах

 
Что такое "lossless"?

Цитата:
Сжатие без потерь (англ. lossless data compression) — метод сжатия информации, при использовании которого закодированная информация может быть восстановлена с точностью до бита. При этом оригинальные данные полностью восстанавливаются из сжатого состояния.
 
Подробнее...
 
Конвертирование из формата в формат обсуждаем здесь, обсуждение и проблемы рипа с CD - здесь
 
Сравнение lossless кодеков
 
Hydrogenaudio.org
 
Архив
 
Часть 1
Часть 2
Часть 3
Часть 4

Всего записей: 5154 | Зарегистр. 13-06-2001 | Отправлено: 20:12 16-06-2012 | Исправлено: Xant1k, 09:27 02-05-2019
Asciito



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Miley Cyrus- Endless Summer Vacation (2023)
 

 
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Всего записей: 1398 | Зарегистр. 14-03-2013 | Отправлено: 00:44 26-05-2023
Asciito



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Melanie Martinez- PORTALS (2023)
 

 
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Всего записей: 1398 | Зарегистр. 14-03-2013 | Отправлено: 23:33 29-05-2023
Asciito



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Def Leppard, Royal Philharmonic Orchestra - Drastic Symphonies (2023)
 

 
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Всего записей: 1398 | Зарегистр. 14-03-2013 | Отправлено: 02:43 31-05-2023 | Исправлено: Asciito, 02:44 31-05-2023
Asciito



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Rick Astley - She Wants to Dance with Me (2023 Remaster)
 

 
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Всего записей: 1398 | Зарегистр. 14-03-2013 | Отправлено: 04:58 06-06-2023 | Исправлено: Asciito, 05:01 06-06-2023
RunawayTrane



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Harold Mabern - Live At Smalls
PIANO JAZZ | FLAC | CUE | LOG | PNG COVERS | 388MB | 56:16
smallsLIVE 2013

 
 

 
 
 
 
 
 

Цитата:
Pianist Harold Mabern, at age 77 more than five decades into his career, remains a regular presence at some of the city’s more intimate rooms, often in the company of his trio mates here, bassist John Webber and drummer Joe Farnsworth. He’s a remarkably agile and astute player with a penchant for taking on seemingly unlikely repertoire and molding it effortlessly to his easy-rolling postbop style. At this Smalls date, he brings depth and sophistication to Fats Domino’s R&B classic “I’m Walking” while retaining its trademark NOLA swing, and his take on Mongo Santamaria’s “Afro Blue” manages to simultaneously straddle dark and edgy and cheerfully upbeat. The Sesame Street theme is utterly transformed into a showcase for the three players, and Erroll Garner’s “Dreaming” is appropriately laconic and contemplative. [right]--Jeff Tamarkin, Jazz Times[/right]

 
 
Harold Mabern - Piano
John Webber - Bass
Joe Farnsworth - Drum Kit

 
 
 
 
 
 
TRACKLISTING:
01. Alone Together
02. I'm Walking
03. Dreaming
04. Road Song
05. Boogie For Al McShann
06. Sesame Street
07. Afro Blue
 
 
MEGA.NZ
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Всего записей: 1249 | Зарегистр. 18-09-2008 | Отправлено: 23:31 23-06-2023 | Исправлено: RunawayTrane, 23:33 23-06-2023
Asciito



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Cinderella - Cinderella's Rocked, Wired and Bluesed: The Greatest Hits (2005)
 

 
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Всего записей: 1398 | Зарегистр. 14-03-2013 | Отправлено: 04:28 28-06-2023
Asciito



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VA- Sax & Romance (2023)
 

 
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Всего записей: 1398 | Зарегистр. 14-03-2013 | Отправлено: 01:37 30-06-2023 | Исправлено: Asciito, 01:43 30-06-2023
igoryok63

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Smooth Jazz All Stars - Smooth Jazz All Stars Cover Frank Sinatra (Instrumental) (2022)
 
   
 
Genre: Smooth Jazz
Format: flac (track)
Quality: Lossless
Tracks: 11
Total Time: 00:37:09
Total Size: 257,38 MB
Label (Catalog#): 2022 CC Entertainment, Inc.
 
Tracklist
 
01. Fly Me to the Moon (Instrumental) - 04:56
02. My Way (Instrumental) - 04:29
03. Somethin' Stupid (Instrumental) - 03:03
04. That's Life (Instrumental) - 03:13
05. Strangers in the Night (Instrumental) - 03:06
06. I've Got You Under My Skin (Instrumental) - 03:21
07. Come Fly With Me (Instrumental) - 03:45
08. The Way You Look Tonight (Instrumental) - 02:15
09. You Make Me Feel So Young (Instrumental) - 03:27
10. Theme from New York, New York (Instrumental) - 02:59
11. Love is Here to Stay (Instrumental) - 02:30
 
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Smooth Jazz All Stars - Smooth Jazz All Stars Play Prince (2018)
 
   
 
Genre: Smooth Jazz
Format: flac (image, cue, log)
Quality: Lossless
Tracks: 14
Total Time: 00:54:25
Total Size: 342,21 MB
Label (Catalog#): Not On Label
 
Tracklist
 
01. Little Red Corvette - 03:54
02. 1999 - 03:42
03. I Would Die 4 U - 03:22
04. I Wanna Be Your Lover - 03:38
05. Do Me, Baby - 04:09
06. Kiss - 03:04
07. Raspberry Beret - 03:28
08. The Beautiful Ones - 04:02
09. Erotic City - 03:18
10. When You Were Mine - 03:34
11. Adore - 04:09
12. U Got The Look - 03:37
13. When Doves Cry - 04:33
14. Purple Rain - 05:49
 
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Smooth Jazz All Stars - Smooth Jazz Pop Hits 2022 (Instrumental) (2023)
 
   
 
Genre: Smooth Jazz
Format: flac (track)
Quality: Lossless
Tracks: 35
Total Time: 01:54:31
Total Size: 782,26 MB
Label (Catalog#):  
 
Tracklist
 
01. Cuff It (Instrumental) - 03:51
02. As It Was (Instrumental) - 03:25
03. I Ain't Worried (Instrumental) - 02:04
04. Despechá (Instrumental) - 02:49
05. I Like You (A Happier Song) (Instrumental) - 03:01
06. Sunroof (Instrumental) - 03:17
07. Industry Baby (Instrumental) - 03:41
08. Hrs and Hrs (Instrumental) - 03:04
09. Sacrifice (Instrumental) - 04:47
10. About Damn Time (Instrumental) - 02:56
11. Bad Habit (Instrumental) - 02:38
12. Anti-Hero (Instrumental) - 03:41
13. I hate u (Instrumental) - 03:23
14. We Don't Talk About Bruno (Instrumental) - 02:43
15. Sweetest Pie (Instrumental) - 03:27
16. Light Switch (Instrumental) - 03:07
17. Enemy (Instrumental) - 02:31
18. Music for a Sushi Restaurant (Instrumental) - 03:27
19. Romantic Homicide (Instrumental) - 03:21
20. I'm Good (Blue) (Instrumental) - 02:43
21. Big Energy (Instrumental) - 02:32
22. Evergreen (You Didn't Deserve Me at All) (Instrumental) - 03:44
23. Star Walkin' (League of Legends Worlds Anthem) (Instrumental) - 04:16
24. Left and Right (Instrumental) - 02:57
25. Calm Down (Instrumental) - 03:17
26. 2 Be Loved (Am I Ready) (Instrumental) - 03:12
27. Golden Hour (Instrumental) - 03:27
28. Until I Found You (Instrumental) - 03:46
29. Glimpse of Us (Instrumental) - 03:17
30. Late Night Talking (Instrumental) - 03:03
31. Numb (Instrumental) - 03:51
32. Static (Instrumental) - 03:37
33. Running Up That Hill (A Deal with God) (Instrumental) - 03:13
34. WAIT FOR U (Instrumental) - 02:34
35. First Class (Instrumental) - 03:33
 
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Smooth Jazz All Stars - Shakira Smooth Jazz Tribute (2009)
 
   
 
Genre: Contemporary Jazz
Format: flac (image, cue, log)
Quality: Lossless
Tracks: 11
Total Time: 00:39:38
Total Size: 235,12 MB
Label (Catalog#): Copycats Records (CCE 9134)
 
Tracklist
 
01. She Wolf - 03:14
02. Hips Don't Lie - 03:15
03. Beautiful Liar - 03:18
04. Whenever, Wherever - 03:35
05. Underneath Your Clothes - 04:00
06. Objection (Tango) - 03:51
07. La Tortura - 03:39
08. Don't Bother - 04:23
09. Illegal - 03:37
10. Animal City - 03:25
11. Loba - 03:15
 
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Всего записей: 272 | Зарегистр. 09-04-2009 | Отправлено: 06:00 01-07-2023
RunawayTrane



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Hil St. Soul - Copasetik & Cool
CONTEMPORARY R&B | FLAC | CUE | LOG | PNG ARTWORK | 474MB | 60:55
GUT 2002

 
 

 
 
 
 
 
 
Victor Redwood Sawyerr - Fender Bass, Drums, Lead Guitar
Hilary Mwelwa - Lead Vocals
Steve Corley - Piano
Ben Edwards - Trumpet
Nasser Bouzida - Drum Kit
Michael Kearsey - Trombone
Steve Hamilton - Alto Saxophone
Richard Molyneux - Electric Bass
Paul Powell - Electric Bass, Rhythm Guitar
Bishop Brad - Fender Rhodes, Hammond B3 Organ

 
 
 
 
 
 
 

Цитата:
Copasetik & Cool is another strong showing from Hilary Mwelwa, who remains one of the best contemporary R&B performers around right now. Anyone familiar with her voice will be pleased to hear more of the same; this means accomplished, non-showy vocals and well-rounded subject matter. As on Soul Organic, the arrangements backing her are well crafted and executed with skill -- with lush hip-hop, acoustic folk, uptown soul, and relatively gritty disco-funk all playing roles -- but they err on the side of over-politeness and occasionally lack oomph. The hourlong length can be draining as well, but when it comes down to it, Mwelwa and her partners have made a second enjoyable, multi-dimensional album. ~ Andy Kellman, All Music Guide

 
 
TRACKLISTING:
01. Copasetik & Cool
02. All That
03. For the Love of You      
04. Alright
05. What's Goin Down?
06. Pieces       
07. Shine          
08. Blue Tears               
09. Mad Love               
10. I've Got Me    
11. Lonely Road        
12. Think Again (Edit)    
13. Reach as One    
14. All That (Remix)
 
 
MEGA.NZ
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pw: lisalisa

 
Добавлено:
Hil St. Soul - Soul Organic
CONTEMPORARY R&B | FLAC | CUE | LOG | PNG ARTWORK | 457MB | 62:49
DOME 2000

 
 

 
 
 
 
 

Цитата:
The British duo of vocalist Hilary Mwelwa and producer Victor Redwood-Sawyerr turned heads around the globe at the turn of the millennium with their first album, Soul Organic. Arriving on the music scene a few years after the rise of Maxwell, D’Angelo, and Erykah Badu in the States, the collectively coined Hil St. Soul put their own spin on ‘90s neo-soul and set the precedent for many UK R&B artists debuting in the 2000s. Soul Organic has remained one of Dome Records’ top-selling albums over the past two decades, and in celebration of its twentieth anniversary the label has reissued it digitally, as well as on a deluxe double-vinyl edition. Mwelwa and Redwood-Sawyerr collaborated on the writing of the tunes that make up the album, and the resulting resonance and fluidity rings true still, lyrically and musically. Five singles were released, and each represents a different melodic piece of Hil St. Soul worth revisiting (or checking out for the first time). A particularly impactful moment comes via the endearing and funky “There for Me,” a delightful number built on frankly positive lyrics, multi-layered harmonies, and rich and full instrumentation. “When my confidence was at its lowest point, and with little motivation to carry on/You gave me the boost of energy, gave me the will to persevere,” Mwelwa conveys in earnest. “You are my creative spark/You inspire, ignite my fire, ‘cause you know how to bring out the best in me.” “For Your Love” takes the groove in a bass-driven direction with plenty of piano goodness and guitar stroking mixed in for good measure. Both the lead vocals and male backing harmonies bring the tune’s feel-good stance to memorable fruition. Meanwhile, the simple and striking remake of Aretha Franklin’s “Until You Come Back to Me,” which became a staple of contemporary jazz stations in the U.S. in 2000, continues to shine as an exemplary cover of a Queen of Soul classic. Mwelwa retains the essence of the message without trying to emulate Franklin. The driving groove makes for a nice counterpoint to her soft-stirring performance. “Give it up, represent and give props to our roots…much respect is due to our peers, our creators, soul survivors, pioneers,” Mwelwa affirms on the laid back head-nodder “Props.” The track’s musical understatement supplies the ideal platform for her cool and stylish relaying of a message steeped in respect and balance: “I know the only way forward’s going back to my roots/Embracing old tradition, coupled with the new.” Also in a reflective vein, but carried out in a more uptempo vein with a bounce to it, “Nostalgia” celebrates the therapy of reliving fond memories. With smooth phrasing and sassy harmonies, the vocal approach is lighthearted yet convincing. One of Soul Organic’s most popular tunes, “Just a Matter of Time,” is also included on the vinyl reissue in the sought-after VRS Remix. While the original version is a sho ‘nuff funky ditty with a Brand New Heavies vibe and enticing handclaps enhancing the driving beat, the remix retools the anthem of self-determination as a savvy synth-funk affair that’s equally equipped to draw reluctant club patrons to the dance floor. On the slower side, “Free Spirit” coaxes with sound and assured passages of strength and contentment delivered with a crisp calmness. With chorus melodies performed in a spiritual-like manner, the gently groovin’ number is simultaneously an ideal pick-me-up and exercise in musical meditation. Soul Organic stands as an honorable reminder of the power of unprocessed R&B rooted in purposeful lyrics, authentically structured melodies, no-frills vocals, and from-the-hip, affecting musical arrangements. The material within is as fresh today as it was upon release 20 years ago. There’s a thread of positivity running through the album that makes for consistently meaningful listening, and the music and voice bringing that thread to life make the set a most pleasant experience. Highly recommended. ---Justin Kantor, SoulTracks.com

 
 
Hillary Mwelwa - Lead Vocals
Richard Molyneux - Electric Bass
Roger Benou - Acoustic Guitar, Rhythm Guitar
Victor Redwood-Sawyerr - Fender Rhodes, Synthesizer, Vibraphone

 
 
 
 
 
TRACKLISTING:
01. Strictly A Vibe Thang (VRS Mix)
02. Nostalgia
03. Just A Matter Of Time
04. Feel Good Factor
05. Concrete Jungle
06. Props
07. Free Spirit
08. There For Me (VRS Mix)
09. Until You Come Back To Me
10. For Your Love
11. Together
12. Paradise
13. Higher Ground
14. Until You Come Back To Me (Acoustic Version)
 
 
MEGA.NZ
WORKUPLOAD
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pw: lisalisa

Всего записей: 1249 | Зарегистр. 18-09-2008 | Отправлено: 19:46 02-07-2023 | Исправлено: RunawayTrane, 19:48 02-07-2023
RunawayTrane



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Angela Bofill - I Wanna Love Somebody
SOUL + JAZZ | FLAC | CUE | LOG | 300DPI ARTWORK | 355MB | 49:21
Jive 1993

 
 

 
 
 
 
 
 
 

Цитата:
Like her albums of the late '70s, Angela Bofill's first release in more than four years blends R&B, jazz, pop, and Latin. Add to that her soft, angelic voice, and you have one winning combination. And songs like ''Always a Part of Me,'' a breezy ballad, prove she's still a sensual soul siren. B+ ~ James Earl Hardy, Entertainment Weekly

 
 
Angela Bofill - Lead Vocals
Tao Gutierrez - Percussion
Francisco Centeno - Bass
Rob Mullins - Keyboards
Andy Snitzer - Saxophone
Kenny MacDougald - Drums
Marc Shulman - Guitar
Jeff Mironov - Guitar
Hugh Elliott - Drums
Wilton Felder - Bass
Earl Gardner - Trumpet
Neil Johnson - Guitar
Scott Totten - Guitar
Carl Burnett - Guitar
Chris Botti - Trumpet
Kirk Whalum - Saxophone
Joe Hornoff - Synthesizer
Werner Vana Gierig - Piano
Preston Glass - Fender Rhodes, Percussion
Eve Nelson - Piano, Synthesizer Bass, Drums

 
 
 
 
 
 
 
 
 
 
TRACKLISTING:
01. I Wanna Love Somebody
02. I Wonder
03. Never Too Much
04. Heavenly Love
05. Always a Part of Me
06. Te amo
07. Essence of My Light
08. I Still Believe in Love
09. We Almost Had It Right
10. Amor Celestial (Heavenly Love, Spanish version)
 
 
MEGA.NZ
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pw: lisalisa

Всего записей: 1249 | Зарегистр. 18-09-2008 | Отправлено: 02:50 05-07-2023 | Исправлено: RunawayTrane, 02:51 05-07-2023
Asciito



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Cinderella - 20th Century Masters: Best Of Cinderella (Reissue) [2005]
 
 

 
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Всего записей: 1398 | Зарегистр. 14-03-2013 | Отправлено: 04:53 05-07-2023 | Исправлено: Asciito, 04:55 05-07-2023
RunawayTrane



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Angela Bofill - Angie
SOUL + JAZZ | FLAC | CUE | LOG | ARTWORK | 248MB | 39:44
GRP 1978

 
 

 
 
 
 
 
 
 

Цитата:
The song "Under The Moon and Over The Sky" is one of those songs that might just change the way you listen to music. It certainly did for me. After hearing it, measly R&B stations would just not do anymore. For whatever reason, Program Directors would never play a song such as this one (or any other song from this album). The only Angie Bofill song I ever heard on NYC Black radio stations was "Angel of The Night". Even though this came out BEFORE that album. Occasionally, they'd play the more uptempo, party stuff Bofill released, but the slow, thought provoking songs R&B/Vocal Jazz songs (like this entire album) always got passed by. Though released in 1977, I never actually heard this album until well into the 80's. I think I first heard "Under The Moon" sometime around 1982-83. In my mind, if "Urban" radio stations could pass by such a beautiful piece of music as "Angie", what the hell else had they been passing by? It was here I first discovered flautist Dave Valentin as well. Well, holding out on good music (and musicians) was never why I turned on the radio, so I knew those stations weren't the place for me anymore. That was when The "Quiet Storm" format (which first aired after midnight on WBLS 107.5 and later CD101.9) became my main stations for music. Plenty of Valenitn played there. Plus artists like Grover Washington and George Howard. It was even on "CD-101.9" that I heard some decent R&B like Whitney Houston's first hit, "Saving All My Love For You" and George Benson. Overall, in that time period, I started listening to the radio alot less and my personal collections alot more. It was also around that time that I started getting into vocalists such as Al Jarreau, Anita Baker and Grady Tate. Whom didn't receive much love at all on the TopPop40 Black radio stations back in the 80's. And of course, can't forget the underground Hip Hop programs like Mr.Magic's Rap Attack and the Awesome Two on WHBI. Between Hip Hop, Funk and Smooth Jazz, I completely forgot about the pop stations. Life was changing in the 1980's and so was the andscape of soul music. With the help of vocalists like Ms. Bofill.---RunawayTrane, UndaTheRadar

 
 
Angela Bofill - Lead Vocals
Dave Grusin - Electric Piano
Patti Austin - Lead Vocals
Dave Valentin - Flute
Gwen Guthrie - Vocals
Steve Gadd - Drum Kit
Marvin Stamm - Trumpet
Eric Gale - Lead Guitar
Ralph MacDonald    - Percussion
Francisco Centeno - Electric Bass
Eddie Daniels - Saxophone, Clarinet
Phil Bodner - Saxophone, Clarinet, Flute

 
 
 
 
 
 
 
 
 
TRACKLISTING:
1. Under the Moon and Over the Sky    
2. This Time I'll Be Sweeter
3. Baby, I Need Your Love    
4. Rough Times    
5. Only Thing I Would Wish For  
6. Summer Days  
7. Share Your Love    
8. Children of the World United
 
 
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pw: lisalisa

 
Добавлено:
Thanks so much to Elena for this excellent album
 
 
Angela Bofill - Intuition
SMOOTH SOUL | FLAC | CUE | LOG | 600DPI ARTWORK | 394MB | 54:41
Capitol 1988

 
 
 
 
 
 
 
 

Цитата:
Angela Bofill tried to find a middle ground between the light jazz, fusion, and Latin music she did earlier in her career and the glossy urban contemporary and dance-tinged R&B and pop that had been her '80s mode. The results were mixed; much of this sounds tentative and generic, with Bofill struggling to find a comfortable way to express the lyrics and get used to the production style. ~ Ron Wynn, All Music Guide

 
 
Angela Bofill - Vocals, Percussion
Cornelius Mims - Electric Bass
Paul Jackson - Rhythm Guitar
Norman Connors - Drum Kit
Harvey Mason - Drum Kit
Wayne Stewart - Drums
Bobby Lyle - Piano
Neil Artwick - Piano
Marc Russo - Saxophone
Horace Coleman - Guitar
John Robinson - Drum Kit
Oscar Brashear - Trumpet
Myungo Jackson - Percussion
Leon Ndugu Chancler - Drums
Richie Davis - Rhythm Guitar
Jeff Carruthers - Lead Guitar
Paulinho Da Costa - Percussion
David T. Walker - Rhythm Guitar
Fred Jackson - Saxophone, Flute
Alejo Poveda - Congas, Percussion
Gerald Albright - Tenor Saxophone
Marion Meadows - Soprano Saxophone
Steve Thornton - Congas, Percussion
Ready Freddie Washington - Electric Bass
Theodis Rodgers - Synthesizer, Fender Rhodes

 
 
 
 
 
 
 
 
TRACKLISTING:
01. Love Is In Your Eyes
02. Intuition
03. I Just Wanna Stop
04. Long Gone
05. For You And I
06. Fragile, Handle With Care
07. In Your Lovers Eyes
08. Love Overtime
09. Festival / Down The Line
10. Special Lover
11. Everlasting Love
 
 
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Всего записей: 1249 | Зарегистр. 18-09-2008 | Отправлено: 05:40 05-07-2023 | Исправлено: RunawayTrane, 07:37 05-07-2023
RunawayTrane



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Goapele - Even Closer [Bonus Track]
CONTEMPORARY SOUL | FLAC | CUE | LOG | COVERS | 392MB | 62:58
Skyblaze 2004

 
 

 
 
 
 
 
 

Цитата:
Even Closer is a reworked version of Goapele's limited release debut, Closer, with five additional songs: "Ease Your Mind" (featuring Pep Love), "Got It," "The Daze" (featuring Zion I and Casual), "Back to You," and "Red, White & Blues" (an anti-war song featuring a blistering guitar solo by Errol Cooney). It showcases Goapele's sultry, cascading voice with relatively sparse vocal arrangements and the contributions of producers such as Amp Live, Jeff Bhasker, Eric Krasno, and Mike Tiger, who help create a smooth, tasty mixture of soul, hip-hop, jazz, and occasional touches of other styles. Goapele navigates this potpourri quite adeptly, although the album does tread a thin line between appealingly eclectic and insufficiently cohesive; fortunately, she has enough talent, including a sufficiently distinctive vocal personality, to pull it off. The words tend toward lyrical and enigmatic, but occasionally they are effectively straightforward and to the point (e.g., "'Cause you're so f**k'n romantic/I can't stand it" from "Romantic"); Goapele also manages to tackle social/political issues without getting too preachy. However, some may wish her social protest lyrics were less vague and more incisive; also, the album isn't replete with clever wordplay and the rhymes tend to be conventional combinations such as "friend"/"end" and "same"/"blame." Nonetheless, this album is worth a listen if you enjoy contemporary soul. ~ Todd Kristel, All Music Guide

 
 
Goapele Mohlabane - Lead Vocals
Uriah Duffy - Fender Bass
DJ Fuze    Cut - Turntables  
Charles Haines - Drums
Mark Kellye - Bass  
Brian Collier - Drums
Allan Evans - Drum Kit
Eric Krasno - Lead Guitar
Errol Cooney - Rhythm Guitar
Neal Evans - Hammond B3 Organ
Amp Live - Synthesizer, Instrumentation
Miike Tiger - Guitar, Mini Moog, Fender Rhodes

 
 
 
 
 
 
TRACKLISTING:
01. Closer
02. Goapele Featuring Pep Love / Ease Your Mind
03. Got It
04. Romantic
05. Too Much The Same
06. Catch 22
07. Goapele Featuring Zion I & Casual / The Daze
08. Thing's Don't Exist
09. Childhood Drama
10. Salvation
11. Back To You
12. Butterflykisses
13. It Takes More
14. Red, White & Blues
15. Childhood Drama (remix)
 
 
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Goapele - Break of Dawn
SOUL + FUNK | FLAC | CUE | LOG | PNG COVERS | 226MB | 34:58
Decon 2011

 
 
 

 
 
 
 

Цитата:
Goapele’s earlier releases are not short on dreamy, slightly trippy content, but she refines and intensifies that mode on Break of Dawn, her first release since 2005’s Change It All. Her debut for the Decon label, Break of Dawn is slinking and seductive, largely switching between low-key electronic quiet storm and Southern-style throwback ballads with support from the likes of Bedrock, Malay, Krucial, Bobby Ozuna, and the duo Electric Thunderbolt. During the album’s middle third, Goapele breaks from heartache and desire, covering perseverance on the title track, motherhood on “Hush,” and love over wealth on the 1987-Prince-indebted “Money.” ~ Andy Kellman, All Music Guide

 
 
Goapele Mohlabane - Lead Vocals
Bedrock - Instrumentation    
Drumma Boy - Instrumentation
Bobby Ozuna - Drums, Percussion, Turntables
Mike Tiger - Fender Rhodes, Prophet 5 Synthesizer

 
 
 
 
 
 
 
 
TRACKLISTING:
01. Play
02. Tears On My Pillow
03. Undertow
04. Break of Dawn
05. Hush
06. Money
07. Pieces
08. Right Here
09. Milk & Honey
10. Cupcake
 
 
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Всего записей: 1249 | Зарегистр. 18-09-2008 | Отправлено: 00:04 07-07-2023
Asciito



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Young Thug - BUSINESS IS BUSINESS (2023)
 

 
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Всего записей: 1398 | Зарегистр. 14-03-2013 | Отправлено: 04:24 07-07-2023
RunawayTrane



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Robin Eubanks - Wake Up Call
POST BOP | FLAC | CUE | LOG | PNG ARTWORK | 496MB | 61:01
Sirocco Jazz 1997

 
 

 
 
 
 
 
 
 
 

Цитата:
A former Jazz Messenger who has also performed with the Elvin Jones Jazz Machine and the Dave Holland Quintet, trombonist Robin Eubanks' Sirocco Jazz debut is also the first recording for the British label. For this recording Eubanks gathered a group of old friends, alto saxophonist Antonio Hart, bassist Lonnie Plaxico, and drummer Gene Jackson, plus newcomers pianist Eric Lewis and trumpeter Duane Eubanks, Robin's younger brother, to perform a program of three originals, four jazz classics, two of them by Wayne Shorter, and the standard "You Are Too Beautiful." Eubanks' big sound, improvisational imagination, and genre-crossing versatility have made him one of the busier trombonists on the jazz scene, with Eubanks staying in a modern post-bop vein for this recording. Favorites include the two Shorter compositions, "United," given an Afro-Latin treatment here, and "Oriental Folk Song," staying close to the original, with "Elvinish" feel courtesy of Jackson and the head played by trumpet and trombone. Other favorites include Eubanks' compositions, the beautiful "Soliloquy," the frantic title track, based on a rapid repeating figure played by trombone and alto sax, and the up-tempo blues "Rush Hour." A welcome addition to the Eubanks discography. ~ Greg Turner, All Music Guide

 
 
Robin Eubanks - Trombone
Duane Eubanks - Trumpet
Eric Lewis - Piano
Gene Jackson - Drum Kit
Antonio Hart - Alto Saxophone
Lonnie Plaxico - Acoustic Bass

 
 
 
 
 
 
 
TRACKLISTING:
01. United
02. Ceora
03. Soliloquy
04. Oriental Folk Song
05. Wake Up Call
06. You Are Too Beautiful
07. Scrapple From The Apple
08. Rush Hour
 
 
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Всего записей: 1249 | Зарегистр. 18-09-2008 | Отправлено: 08:16 07-07-2023
RunawayTrane



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Jack DeJohnette - New Directions
FUSION | FLAC | CUE | LOG | 300DPI ARTWORK | 252MB | 46:31
ECM Records 1978

 
 

 
 
 
 
 
 
 
 

Цитата:
New Directions (a quartet with Jack DeJohnette on drums and piano, guitarist John Abercrombie, trumpeter Lester Bowie and bassist Eddie Gomez) is a group that never seemed to live up to its potential. On this set of three DeJohnette compositions (including the wittily titled "Where or Wayne") and two group improvisations, the music is a bit dull, making too much use of space and featuring less of Bowie's trumpet and wit than one would hope. There are some strong moments (particularly from Abercrombie and DeJohnette) but this band (to use a cliché) was less than the sum of its parts. ~ Scott Yanow, All Music Guide

 
 
Jack DeJohnette - Drum Kit, Piano, Organ
Lester Bowie - Trumpet
Eddie Gomez - Acoustic Bass
John Abercrombie - Guitar, Mandolin

 
 
 
 
 
 
TRACKLISTING:
01. Bayou Fever
02. Where Or Wayne
03. Dream Stalker
04. One Handed Woman
05. Silver Hollow
 
 
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Jack DeJohnette - Pictures
FUSION | FLAC | CUE | LOG | 300DPI ARTWORK | 195MB | 37:36
ECM Records 1977

 
 
 

 
 
 
 
 
 
 

Цитата:
Hot on the heels of his stellar Directions debut, drummer Jack DeJohnette settled down in the studio for this cool duo album with guitarist John Abercrombie. Less a side project than a chance to open the mind to more introverted images, Pictures is the spark behind the fire. The steady beats of “Picture 1” grow in scope with every new added detour. What at first seems a drumming exercise quickly turns haunting as an organ rises up from the earthen tide. After the ode to toms and cymbals that is “Picture 2,” the following three Pictures feature Abercrombie’s improvisatory accents, which range from meandering to cathartic. But the real pièce de résistance is “Picture 6.” As its temperate piano introduction works its way into a swell of gongs, we begin to see the melody behind the fire. It is a Keith Jarrett moment if there ever was one, the Ruta and Daitya that could have been. Like any good picture, DeJohnette’s curious little project has everything it needs in frame. Nothing extraneous; stripped-down music-making for its own sake, offered up to the listener with humility and respect. This is not an album meant to titillate or to excite or to make any sweeping statements on the nature of its own becoming. It professes to be nothing beyond the space implied, never the sum but the equation laid bare. Get this album for its stunning closer, and open yourself to its other intimacies. Pictures gives us unique insight into the craft of a musician more widely known for his equally arousing timing and delivery. --Tyran Grillo

 
 
Jack DeJohnette - Drum Kit, Guitar, Organ, Piano, Synthesizer
John Abercrombie - Acoustic Guitar, Rhythm Guitar

 
 
 
 
 
 
 
 
TRACKLISTING:
1. Pictures 1
2. Pictures 2
3. Pictures 3
4. Pictures 4
5. Pictures 5
6. Pictures 6
 
 
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Всего записей: 1249 | Зарегистр. 18-09-2008 | Отправлено: 10:34 09-07-2023 | Исправлено: RunawayTrane, 10:35 09-07-2023
RunawayTrane



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Fantastic Negrito - Please Don't Be Dead
ELECTRIC BLUES + ROCK | FLAC | CUE | LOG | PNG ARTWORK | 258MB | 38:40
Cooking Vinyl 2018

 
 

 
 
 
 
 

Цитата:
The Last Days of Oakland, the 2016 full-length debut album from Fantastic Negrito, was designed to be a make-or-break album and, as luck would have it, the record made the modern-day bluesman. Earning a wave of acclaim, The Last Days of Oakland wound up taking home the Grammy for Best Contemporary Blues Album in 2017, a welcome reversal of fortune for a singer/songwriter who struggled through his 1990s and 2000s performing under variations of his given name, Xavier Amin Dphrepaulezz. His reputation made, Fantastic Negrito proceeded to double down on his style-bending blues on Please Don't Be Dead, the 2018 sequel to his Grammy-winner. Lacking the conceptual glue that bonded The Last Days of Oakland, Please Don't Be Dead nevertheless finds Fantastic Negrito resolutely ambitious. Synthesizing art funk, twisted soul, and arena rock with his bedrock blues, he frequently seems giddy with his own audacity. Often, he's correct to be so impressed with himself: witness "Transgender Biscuits," which spins an acoustic blues guitar into a funky, futuristic protest, a song that encapsulates all of Fantastic Negrito's aspirations and charms. This blend of the past and present is tricky business, and he sometimes trips up on himself in a way he never did on The Last Days. When the guitars are cranked, Please Don't Be Dead can sound like the Black Keys at their trippiest ("The Suit That Won't Come Off"), while some of his eccentricities can seem affected. Perhaps these stumbles are the side effect of an artist dedicated to capturing all the mess of the modern world, and even if there are moments that grate or confound, there's still something invigorating about an artist who refuses to sit still. ~ Stephen Thomas Erlewine, All Music Guide

 
 
 
TRACKLISTING:
01. Plastic Hamburgers
02. Bad Guy Necessity
03. A Letter To Fear
04. A Boy Named Andrew
05. Transgender Biscuits
06. The Suit That Won't Come Off
07. A Cold November Street
08. The Duffler
09. Dark Windows
10. Never Give Up
11. Bullshit Anthem
 
 
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Всего записей: 1249 | Зарегистр. 18-09-2008 | Отправлено: 21:34 14-07-2023
RunawayTrane



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Fantastic Negrito - Grandfather Courage
ELECTRIC BLUES + ACOUSTIC ROCK | FLAC | CUE | LOG | PNG COVERS | 303MB | 46:55
Storefront Entertainment 2023

 
 

 
 
 
 

Цитата:
There are the stories we tell ourselves and the stories that tell us who we are or could be. We encounter stories that either constrain or expand the categories through which we understand our place in the world. Sometimes they converge, and sometimes they conflict. Rarely are they static. Humans are narrative creatures; we see ourselves in story and song. We forge our paths as both scripted and scriptwriters and occasionally find hidden tales that, when brought to light, open up new vistas of connection and meaning. Such was the experience of the artist Fantastic Negrito (né Xavier Amin Dphrepaulezz), whose brief dalliance with an ancestry website led to the remarkable discovery that his seventh-generation grandparents were a white Scottish indentured servant named Elizabeth Gallimore and an unnamed enslaved black man who, according to charges brought against her in a colonial Virginia court, was in a common-law marriage with Gallimore. Through the discovery, Fantastic Negrito found his narrative disrupted in exciting and creative ways, a symbolic story enfolded within the broader contested history of the United States. A three-time Grammy award winner for Best Contemporary Blues Album, Fantastic Negrito channeled this discovery within the story of his lineage into one of his most creatively ambitious projects, 2022’s White Jesus Black Problems. The critically acclaimed album (listed within PopMatters Best 80 Albums of 2022) was an exhilarating feast for the musical senses with its potent fusion of roots and blues, funk, rock, and jazz with occasional psychedelic flourishes. Within this album, Fantastic Negrito lets the story of his seventh-generation grandparents come to the fore. This allowed the themes of their courage, audacity, and resilient love to interact narratively and musically with the brutality of racial capitalism that is the perduring watermark on the American narrative. here are the stories we tell ourselves and the stories that tell us who we are or could be. We encounter stories that either constrain or expand the categories through which we understand our place in the world. Sometimes they converge, and sometimes they conflict. Rarely are they static. Humans are narrative creatures; we see ourselves in story and song. We forge our paths as both scripted and scriptwriters and occasionally find hidden tales that, when brought to light, open up new vistas of connection and meaning.  
 
 
Such was the experience of the artist Fantastic Negrito (né Xavier Amin Dphrepaulezz), whose brief dalliance with an ancestry website led to the remarkable discovery that his seventh-generation grandparents were a white Scottish indentured servant named Elizabeth Gallimore and an unnamed enslaved black man who, according to charges brought against her in a colonial Virginia court, was in a common-law marriage with Gallimore. Through the discovery, Fantastic Negrito found his narrative disrupted in exciting and creative ways, a symbolic story enfolded within the broader contested history of the United States. A three-time Grammy award winner for Best Contemporary Blues Album, Fantastic Negrito channeled this discovery within the story of his lineage into one of his most creatively ambitious projects, 2022’s White Jesus Black Problems. The critically acclaimed album (listed within PopMatters Best 80 Albums of 2022) was an exhilarating feast for the musical senses with its potent fusion of roots and blues, funk, rock, and jazz with occasional psychedelic flourishes. Within this album, Fantastic Negrito lets the story of his seventh-generation grandparents come to the fore. This allowed the themes of their courage, audacity, and resilient love to interact narratively and musically with the brutality of racial capitalism that is the perduring watermark on the American narrative. here are the stories we tell ourselves and the stories that tell us who we are or could be. We encounter stories that either constrain or expand the categories through which we understand our place in the world. Sometimes they converge, and sometimes they conflict. Rarely are they static. Humans are narrative creatures; we see ourselves in story and song. We forge our paths as both scripted and scriptwriters and occasionally find hidden tales that, when brought to light, open up new vistas of connection and meaning. Such was the experience of the artist Fantastic Negrito (né Xavier Amin Dphrepaulezz), whose brief dalliance with an ancestry website led to the remarkable discovery that his seventh-generation grandparents were a white Scottish indentured servant named Elizabeth Gallimore and an unnamed enslaved black man who, according to charges brought against her in a colonial Virginia court, was in a common-law marriage with Gallimore. Through the discovery, Fantastic Negrito found his narrative disrupted in exciting and creative ways, a symbolic story enfolded within the broader contested history of the United States. A three-time Grammy award winner for Best Contemporary Blues Album, Fantastic Negrito channeled this discovery within the story of his lineage into one of his most creatively ambitious projects, 2022’s White Jesus Black Problems. The critically acclaimed album (listed within PopMatters Best 80 Albums of 2022) was an exhilarating feast for the musical senses with its potent fusion of roots and blues, funk, rock, and jazz with occasional psychedelic flourishes. Within this album, Fantastic Negrito lets the story of his seventh-generation grandparents come to the fore. This allowed the themes of their courage, audacity, and resilient love to interact narratively and musically with the brutality of racial capitalism that is the perduring watermark on the American narrative. ---Rick Quinn, Pop Matters

 
 
Xavier Dphrepaulezz - Lead Guitar, Vocals
Laura Jane Jones - Vocals
James Small - Drum Kit
Masa Kohama - Rhythm Guitar
Lionel Holoman - Hammond Organ, Piano

 
 
 
 
 
 
TRACKLISTING:
01. Drifting Away
02. Locked Down
03. Highest Bidder
04. They Go Low
05. Nibbadip
06. Oh Betty
07. Man With No Name
08. You Better Have A Gun
09. Trudoo
10. In My Head
11. Virginia Soil
 
 
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Всего записей: 1249 | Зарегистр. 18-09-2008 | Отправлено: 23:50 14-07-2023
RunawayTrane



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George Duke - Don't Let Go
LATIN + JAZZ + FUNK | FLAC | CUE | LOG | PNG ARTWORK | 320MB | 42:59
Epic 1978

 
 
 
 
 
 
 

Цитата:
With a hot funk band and a big hit, "Reach for It," behind him, George Duke appears mostly in his persona as R&B star on this ebullient package of sometimes Latin-inflected '70s funk. The centerpiece is a self-parodic bit of shuck and jive called "Dukey Stick," which became a number four hit single on the R&B charts (at his gigs, Duke used to flaunt a gaudy, lit-up, perhaps phallic wand, the "Dukey stick," during this number). The percussion section is pretty potent, staffed by Leon "Ndugu" Chancler and Sheila Escovedo in her pre-pop star days; they even get a Latin workout of their own simply titled "Percussion Interlude." While some of Duke's considerable keyboard and electronic prowess breaks through now and then, this album is mainly aimed at the R&B market, as the preponderance of soul vocals indicates. As such, it is a cut or two above the routine fare of the time, though not as infectious as its predecessor Reach for It. ~ Richard S. Ginell, All Music Guide

 
 
George Duke - Moog Synthesizer, Fender Rhodes, Vocals
Charles 'Icarus' Johnson - Lead Guitar
Napoleon Brock - Lead Vocals
Josie James - Lead Vocals
Byron Miller - Electric Bass
Roland Bautista - Rhythm Guitar  
Leon Chancler - Drum Kit, Timbales, Mandolin
Sheila Escovedo - Bongos, Congas, Percussion, Vocals

 
 
 
 
 
 
 
 
TRACKLISTING:
01. We Give Our Love  
02. Morning Sun
03. Percussion Interlude
04. Dukey Stick
05. Starting Again
06. Yeah, We Going
07. The Way I Feel
08. Movin On
09. Don't Let Go
10. Preface  
11. The Future
 
 
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George Duke - Muir Woods Suite
CONCERT JAZZ | FLAC | CUE | LOG | 300DPI ARTWORK | 272MB | 49:53
Warner Brothers 1996

 
 

 
 
 
 
 

Цитата:
Recorded live at the Montreux Jazz Festival on July 12, 1993, but not released for two-and-a-half years, George Duke's Muir Woods Suite is a musical work for orchestra (L'orchestre National de Lille, conducted by Ettore Strata) and jazz group (himself on piano, Stanley Clarke on bass, Chester Thompson on drums, Paulinho Dacosta on percussion). As that combination suggests, it's eclectic. Some sections make full use of the orchestra in passages reminsicent of 19th century classical music, but then a bass or drum solo leads into a jazz section. Consistently engaging, but disparate, the suite has the air of a movie soundtrack. ~ William Ruhlmann, All Music Guide

 
 
George Duke - Leader, Piano
Stanley Clarke - Bass
Chester Thompson - Drums
Paulinho Da Costa - Percussion

 
 
 
 
 
 
 
 
 
 
TRACKLISTING:
01. Phase I    
02. Phase 2    
03. Phase 3    
04. Percussion Solo    
05. Phase 4    
06. Phase 5    
07. Bass Solo    
08. Phase 6 (Love Theme)    
09. Drum Solo    
10. Phase 7    
11. Montreaux Nights
 
 
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Всего записей: 1249 | Зарегистр. 18-09-2008 | Отправлено: 02:05 16-07-2023
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Dr. Helander & Third Ward - Meat Grindin' Business (2018)
 
   
 
Genre: Electric Blues
Format: flac (image, cue, log)
Quality: Lossless
Tracks: 10
Total Time: 00:35:38
Total Size: 238.55 MB
Label: Bluelight Records (BLR 33194 2)
 
Tracklist
 
01. Hawaiian Boogie - 02:21
02. My Magic Wand - 03:31
03. Third Ward Boogie - 03:53
04. Money Makin' Machine - 03:37
05. Death Bells - 04:32
06. It's Not For Me But For My Friend - 04:48
07. Long-Handled Door - 02:37
08. Woman's Trust - 03:23
09. Gene Girls - 02:24
10. Don't Be Messin' With My Bread - 04:26
 
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Dr. Helander & Third Ward - Traffic Jam On The Back Street (2020)
 
   
 
Genre: Electric Blues
Format: flac (image, cue, log)
Quality: Lossless
Tracks: 10
Total Time: 00:41:52
Total Size: 277,37 MB
Label (Catalog#): Bluelight Records (BLR 33212 2)
 
Tracklist
 
01. Nasty Revelator - 03:09
02. (Gimme Some of That) Back Beat - 03:36
03. Hard Luck Day - 05:03
04. Gambina Wine - 04:15
05. Ask Me About the Blues - 05:00
06. Blown off with the Wind - 02:55
07. Strike a Match - 03:17
08. Black Hole - 03:58
09. Highway Shoes - 05:13
10. Prime Minister - 05:23
 
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Dr. Helander & Third Ward - Shining Pearls (2023)
 
   
 
Genre: Electric Blues
Format: flac (image, cue, log)
Quality: Lossless
Tracks: 10
Total Time: 00:39:06
Total Size: 246,75 MB
Label (Catalog#): Bluelight Records (BLR 33225 2)
 
Tracklist
 
01. I Don't Wanna Wake up from My Dream - 03:17
02. Unwanted Person - 05:00
03. War Is Starting Again - 04:20
04. 61 Highway - 04:41
05. Cemetery Wall - 03:01
06. Your Old School - 05:05
07. Shining Pearls - 03:43
08. Bridge to Freedom - 04:06
09. You Don't Care - 02:53
10. Rollercoaster Riding - 02:55
 
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Всего записей: 272 | Зарегистр. 09-04-2009 | Отправлено: 06:48 16-07-2023 | Исправлено: igoryok63, 06:50 16-07-2023
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