Музыка в lossless форматах (без потерь) - [91] :: Музыка и Кино

Thelonious Monk & Sonny Rollins - s/t
JAZZ | WAVPACK | CUE | LOG | PNG | 216MB | 34:04
Prestige 1955

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This disc contains an all-star cast headed up by Thelonious Monk (piano) and includes some collaborative efforts with Sonny Rollins (tenor sax) that go beyond simply inspired and into a realm of musical telepathy. The five tunes included on Work are derived from three separate sessions held between November of 1953 and September of the following year. As is often the case, this likewise means that there are three distinct groups of musicians featured. Whether by design or happenstance, the tracks compiled for this EP present Monk in the favorable confines and settings of smaller combos, ranging from the intimacy of the Percy Heath (bass) and Art Blakey (drums) trio on "Nutty" as well as the equally grooving title track. Both utilize Monk's uncanny and distinct sense of melody and are conspicuous for Blakey's rollicking percussive contributions -- which, at times, become thrust between Monk's disjointed chord work. The larger quartet and quintet settings are equally as inventive, retaining the highly inventive atmosphere. However, the undeniable highlight is the interaction between Monk and Rollins. Leading off the disc is a definitive and freewheeling reading of the pop standard "The Way You Look Tonight." Equally as scintillating is "I Want to Be Happy," both of which are also highlighted by Art Taylor (drums) and Tommy Potter (bass). They provide a supple and unencumbered framework for the soloists to weave their inimitable and often contrasting contributions. The final track is the beautifully dissonant and extended "Friday the Thirteenth," which is ironically the first fortuitous collaboration between the two co-leads. Rollins is able to entwine a sinuous lead throughout Monk's contrasting chord counterpoint. Enthusiasts seeking additional tracks from these and the remainder of Monk's sessions during his brief residency with Prestige should consider the suitably titled four-CD Complete Prestige Recordings compilation. ~ Lindsay Planer, All Music Guide

PERSONNEL:
Thelonious Monk    - Piano
Sonny Rollins - Saxophone (Tenor)
Art Taylor - Drums
Art Blakey - Drums
Julius Watkins -     French Horn
Percy Heath - Bass
Willie Jones - Drums
Tommy Potter -    Bass

TRACKLISTING:
1. The Way You Look Tonight
2. I Want to Be Happy
3. Work
4. Nutty
5. Friday the 13th

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Sergio Mendes - Arara
SAMBA | FLAC | CUE | LOG | 336 MBS | TIFF | 37:42
A&M 1989

Цитата:

At long last, Sergio Mendes seemed to be getting a bit weary of the constant chore of chasing hits in the North American pop field, and the siren call of his native Brazil beckoned. So while the overall sound of Arara remains mostly stuck in Mendes' '80s dance-pop manner, the material is all Brazilian and the CD is sometimes open to more complex rhythms than what Mendes had been using since the mid-'70s. In other words, this is not far away from the concept that The Manhattan Transfer tried on its Brasil album, but not nearly as bold nor as moving. As in the '60s, Mendes draws from the top of the deck of Brazilian writers -- Ivan Lins, Djavan, Milton Nascimento, Jorge Ben, Gilberto Gil, Dori Caymmi -- for material. There is also a remake from the Brasil '66 days, a "Mas Que Nada" electronically updated for the end of the '80s -- a little stiffer, perhaps, but the tune shines through anyway. Though only a partial return to Brazil, this record nevertheless signaled a welcome trend in Mendes' work, where he would return more and more to his roots in the future. ~ Richard S. Ginell, All Music Guide

TRACKLISTING:
01. Sarara (Bring Me the Sunlight)
02. Mas Que Nada
03. Some Morning
04. Nightlife
05. Cinnamon and Clove
06. Balafon
07. Surrender
08. Keep This Heart
09. Toucan's Dance
10. The Island

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